Winna Go, in most of her works, gathers inspiration from the history of the Chinese diaspora, the richness of Chinese and Filipino culture, temporary issues, her identity and positionality in society, and the beauty of nature. She envisioned her artworks to resonate with people, to commence discourse about issues at hand, to make her viewers question, and to inspire people— especially her fellow creatives. Impressionism and a form of representational art has become her preferred style. Currently, she paints longbaos (dragon robes) in a deteriorated manner because it is her way of presenting a culture that is no longer homogeneous. It combats the notion of the Chinese separating themselves from the rest of society and focusing more on the people with the same race and status as theirs. Winna is still in search of her evolving identity and would like to continue using her art as a research method and a way to engage with the public.